{"time":1754619814553,"blocks":[{"type":"Image","data":{"file":{"name":"037 RIOS DO RIO 2019 2A FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/037 RIOS DO RIO 2019 2A FOTO_FsOZGIA.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"Image","data":{"file":{"name":"037 RIOS DO RIO 2019 3A FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/037 RIOS DO RIO 2019 3A FOTO_VX8qVpJ.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"Mother-lagoon | 2019"}},{"type":"paragraph","data":{"text":"This embroidery reproduces the outline of what is currently known as the Lagoa Rodrigo de Freitas, as it possibly looked in the late eighteenth or early nineteenth centuries: the original image was found on the internet and doesn’t reveal many details. But the lagoon was once larger, without any landfills, and the rivers that flow into it were not yet channeled or covered up. I feel a special fondness for this place and its landscape,  which,  since my arrival in Rio de Janeiro, has been a point of equilibrium for me."}},{"type":"paragraph","data":{"text":"<b>• cotton thread embroidery on linen towel<br>• 52 x 51 cm</b>"}},{"type":"paragraph","data":{"text":"<br>Photo: <b>Pat Kilgore\n\n</b>"}}],"version":"2.18.0"}