{"time":1754651788910,"blocks":[{"type":"Image","data":{"file":{"name":"006 RETALHAR 2007 (TRAB A MEMORIA É A COSTUREIRA...) 2a FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/006 RETALHAR 2007 (TRAB A MEMORIA É A COSTUREIRA...) 2a FOTO_H9DFefg.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"Image","data":{"file":{"name":"006 RETALHAR 2007 (TRAB A MEMORIA É A COSTUREIRA...) 3a FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/006 RETALHAR 2007 (TRAB A MEMORIA É A COSTUREIRA...) 3a FOTO_VThaHOV.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"Memory is the seamstress, and a meticulous seamstress at that. Memory makes her needle run in and out, up and down, here and there. We don’t know what comes next, what will come afterward | 2007"}},{"type":"paragraph","data":{"text":"Drawers filled with embroidered initials cover a woman’s smock and occupy the main room in the museum home, in its turn already full of stories that unfold in its mirrors. The design for the smock was taken from my collection of initials and executed in partnership with seamstresses from a cooperative in [the] Rocinha [favela]."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;initials embroidered on cotton smock<br>•&nbsp;150 x 50 cm</b>"}},{"type":"paragraph","data":{"text":"OTHER EXHIBITIONS<br><b>“Que Nosso Nome Não Caia No Esquecimento”</b> Galeria Anita Schwartz, Rio De Janeiro, Brazil<br><b>“Amor”</b>, Casa Museu de Benjamin Constant, Rio de Janeiro, Brazil<br><b>“Galerie Caroline Vachet”</b>, Lyon, France"}},{"type":"paragraph","data":{"text":"<br><br>Photo: <b>Wilton Montenegro\n\n</b>"}}],"version":"2.18.0"}