{"time":1755531387318,"blocks":[{"type":"Image","data":{"file":{"name":"010 GALERIE CAROLINE VACHET 2009 2A FOTO (TEXTO TRAB A MEMORIA É A COSTUREIRA...).jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/010 GALERIE CAROLINE VACHET 2009 2A FOTO (TEXTO TRAB A MEMORIA É A COSTUREIRA...)_rCLlhMa.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Memory is the seamstress, and a meticulous seamstress at that. Memory makes her needle run in and out, up and down, here and there. We don’t know what comes next, what will come afterward | 2007"}},{"type":"paragraph","data":{"text":"Drawers filled with embroidered initials cover a woman’s smock and occupy the main room in the museum home, in its turn already full of stories that unfold in its mirrors. The design for the smock was taken from my collection of initials and executed in partnership with seamstresses from a cooperative in [the] Rocinha [favela]."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;initials embroidered on cotton smock<br>•&nbsp;150 x 50 cm</b>"}},{"type":"paragraph","data":{"text":"OTHER EXHIBITIONS<br><b>“Que Nosso Nome Não Caia No Esquecimento”</b> Galeria Anita Schwartz, Rio De Janeiro, Brazil<br><b>“Amor”,</b> Casa Museu de Benjamin Constant, Rio de Janeiro, Brazil<br><b>“Retalhar”</b> Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil"}},{"type":"paragraph","data":{"text":"Photo: <b>Gabriel Marigo</b>"}},{"type":"paragraph","data":{"text":"[enddropdown]"}},{"type":"Image","data":{"file":{"name":"010 GALERIE CAROLINE VACHET 2009 3A FOTO (TRAB CICATRIZ).jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/010 GALERIE CAROLINE VACHET 2009 3A FOTO (TRAB CICATRIZ)_urloria.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Scar | 2005"}},{"type":"paragraph","data":{"text":"There was a great deal of thread leftover in this piece of buckram from my earliest experiments with embroidery. Slowly, the image of a scar that was to mark my childhood emerged from it."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;&nbsp;tarlatan, cotton thread&nbsp;<br>•&nbsp;&nbsp;10 x 60 cm&nbsp;</b>"}},{"type":"paragraph","data":{"text":"OTHER EXHIBITIONS<br><b>“Poética têxtil”</b>, Oficina Cultural Oswald de Andrade, São Paulo, Brazil"}},{"type":"paragraph","data":{"text":"Photo:<b> Kristine Thiemann</b>"}},{"type":"paragraph","data":{"text":"[enddropdown]"}},{"type":"Image","data":{"file":{"name":"010 GALERIE CAROLINE VACHET 2009 4A FOTO (TRAB BERCO ESPLENDIDO).jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/010 GALERIE CAROLINE VACHET 2009 4A FOTO (TRAB BERCO ESPLENDIDO)_bwdEKNG.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Splendid cradle | 2004"}},{"type":"paragraph","data":{"text":"I found this map of South America in História dos Índios no Brasil, edited by Manuela Carneiro da Cunha. It serves to geographically locate the [Brazilian] indigenous ethnic groups discussed in the book’s various texts. I was immediately touched by the image of a continent that, devoid of the political boundaries we know today, is beautifully presented through the very design of its rivers."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;embroidery on antique cotton pillowcase&nbsp;<br>•&nbsp;60 x 60 x 20 cm</b>"}},{"type":"paragraph","data":{"text":"OTHER EXHIBITIONS<br><b>“Ao amor do público I”,</b> &nbsp;Doações na ArtRio (2012-2015) &amp; Minc/Funarte, Museu de Arte do Rio, MAR, Rio de Janeiro, Brazil<br><b>“Métissages”</b>, Espace d’Art Actuel, Le Radar &amp; Musée Baron Gérard, Bayeux,France; Musée de Bourgoin-Jallieu, France; Selasar Sunayo Art Space, Bandung; Museum Nasional, Jacarta, Indonesia; James H. W. Thompson Center for the Arts, Bangkok, Thailand; Parc Saint Léger, Pougues-les-Eaux, France<br><b>“L’autre métissages”</b>, Museo Nacional de Etnografia y Folklore, La Paz, Bolivia"}},{"type":"paragraph","data":{"text":"Photo: <b>Kristine Thiemann</b>"}},{"type":"paragraph","data":{"text":"[enddropdown]"}},{"type":"Image","data":{"file":{"name":"010 GALERIE CAROLINE VACHET 2009 (TRAB SOU TACA DE CRISTAL... VIDEO) 5A FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/010 GALERIE CAROLINE VACHET 2009 (TRAB SOU TACA DE CRISTAL... VIDEO) 5A FOTO_d7WBn3h.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"I am a crystal goblet cast into the sea (video) | 2009&nbsp;"}},{"type":"paragraph","data":{"text":"This video presents some moments from the breaking a crystal glass and goblet collection that I amassed over 20 years. Linked to very personal and intimate matters, this act represented a moment of rupture and transformation in my life."}},{"type":"paragraph","data":{"text":"The breaking of the glasses took place during the mounting of the exhibition “Memórias heterogêneas,” at the Castelinho do Flamengo, Rio de Janeiro, in 2004."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;10’31” video,&nbsp; loop&nbsp;projection<br>•&nbsp;concept: Renato Bezerra de Mello&nbsp;<br>•&nbsp;camera: André Sheik&nbsp;<br>•&nbsp;editing: Daniel Bardusco</b>"}},{"type":"paragraph","data":{"text":"OTHER EXHIBITIONS<br><b>“ObaOba”</b> Galeria Bangbang, Lisbon, Portugal<br><b>“ObaOba”</b>, Sessão Corredor, Ateliê 397, São Paulo, Brazil"}},{"type":"paragraph","data":{"text":"Still"}},{"type":"paragraph","data":{"text":"[enddropdown]"}},{"type":"Image","data":{"file":{"name":"010 GALERIE CAROLINE VACHET 2009 6.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/010 GALERIE CAROLINE VACHET 2009 6_IGIhPwa.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Waiting for birds | 2009"}},{"type":"paragraph","data":{"text":"While searching for accounts on the making of feather objects, I came across a scene described by anthropologist Darcy Ribeiro in his Diários Índios: he is alone, in the middle of a village, while all the others have gone off into the forest in search of feathers and birds. Based on that image, I created visions of the forest that surrounded him."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;series of three drawings&nbsp;<br>•&nbsp;juxtaposed sheets of 45 g tracing paper, white india ink<br>•&nbsp;66 x 99 (each)&nbsp;</b>"}},{"type":"paragraph","data":{"text":"OTHER EXHIBITIONS<br><b>“Errático, errante”</b>, Galeria Inox, Rio de Janeiro, Brazil&nbsp;"}},{"type":"paragraph","data":{"text":"Photo: <b>Wilton Montenegro</b>"}},{"type":"paragraph","data":{"text":"[enddropdown]"}}],"version":"2.18.0"}