{"time":1755618823497,"blocks":[{"type":"Image","data":{"file":{"name":"aquilo-2.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/aquilo-2_fRMSd2f.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Illegible passage | 2016"}},{"type":"paragraph","data":{"text":"In this work, I repeatedly transcribed two accounts given by Marguerite Yourcenar of a single event: the burial of the ashes of Grace Frick, with whom she lived for 40 years. The first is from her personal diary, a short account shot through with the emotion of immediate reaction. The second was written in response to an interview and shows us the famous novelist rather than the woman."}},{"type":"paragraph","data":{"text":"Both accounts are as fine as they are moving, but the second one is actually a short literary piece. The juxtaposition of writing in my work has its source in Yourcenar’s doubt about whether or not to make public that part of the interview, as well as the illegible passages of her intimate diary."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;writing on typewriter ribbon on tracing paper<br>•&nbsp;32 x 57 cm (diptych)</b>"}},{"type":"paragraph","data":{"text":"Photo: <b>Pat Kilgore</b>"}},{"type":"paragraph","data":{"text":"[enddropdown]"}},{"type":"Image","data":{"file":{"name":"027 AQUILO QUE NOS UNE 2016 3a FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/027 AQUILO QUE NOS UNE 2016 3a FOTO_vT2w0Mh.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"Image","data":{"file":{"name":"aquilo-4.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/aquilo-4_g7GQck1.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Red | 2011"}},{"type":"paragraph","data":{"text":"Despite&nbsp; the delicate embroidery, which is done with several turns of the thread around the needle before passing through the fabric, this work puts us in mind of droplets of blood: of violence suffered, imposed or voluntary."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;French knot embroidery upon two linen liturgical vestments and two strips of Normandy cotton<br>•&nbsp;liturgical vestments: 180 X 78 cm</b>"}},{"type":"paragraph","data":{"text":"OTHER EXHIBITONS<br><b>“Que nosso nome não caia no esquecimento”</b>, Galeria Anita Schwartz , Rio de Janeiro, Brazil"}},{"type":"paragraph","data":{"text":"Photo: <b>Pat Kilgore</b>"}},{"type":"paragraph","data":{"text":"[enddropdown]"}},{"type":"Image","data":{"file":{"name":"aquilo-5].jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/aquilo-5]_mU78FYP.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}}],"version":"2.18.0"}