{"time":1755530824346,"blocks":[{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Memory is the seamstress, and a meticulous seamstress at that. Memory makes her needle run in and out, up and down, here and there. We don’t know what comes next, what will come afterward | 2007"}},{"type":"paragraph","data":{"text":"Drawers filled with embroidered initials cover a woman’s smock and occupy the main room in the museum home, in its turn already full of stories that unfold in its mirrors. The design for the smock was taken from my collection of initials and executed in partnership with seamstresses from a cooperative in [the] Rocinha [favela]."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;initials embroidered on cotton smock<br>•&nbsp;150 x 50 cm</b>"}},{"type":"paragraph","data":{"text":"OTHER EXHIBITIONS<br><b>“Que Nosso Nome Não Caia No Esquecimento” </b>Galeria Anita Schwartz, Rio De Janeiro, Brazil<br><b>“Galerie Caroline Vachet”</b>, Lyon, France<br><b>“Retalhar”</b> Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil"}},{"type":"paragraph","data":{"text":"[enddropdown]"}},{"type":"Image","data":{"file":{"name":"016 AMOR 2013 2A FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/016 AMOR 2013 2A FOTO_unLQSEg.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"Image","data":{"file":{"name":"016 AMOR 2013 3A FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/016 AMOR 2013 3A FOTO_xJLdffv.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"Image","data":{"file":{"name":"amor-4.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/amor-4_HfgcbHg.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Writings on nothing | 2007-13"}},{"type":"paragraph","data":{"text":"For a long while, I collected writings about nothing, indeed, about all the things that caught my attention during that period; things I read and heard, and that I transferred (with the aid of carbon paper) onto these small labels that were dispersed. For this exhibition in a house museum, they were assembled inside the small writing desk drawers of a young man’s bedroom."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;carbon paper on labels&nbsp;<br>•&nbsp;variable dimensions</b>"}},{"type":"paragraph","data":{"text":"[enddropdown]"}},{"type":"Image","data":{"file":{"name":"016 AMOR 2013 5A FOTO.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/016 AMOR 2013 5A FOTO_miOCx2f.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"Image","data":{"file":{"name":"amor-6.jpg","url":"https://django-site-renato-bezerra-dev.s3.amazonaws.com/media/amor-6_D4H0HJ1.jpg"},"caption":"","withBorder":false,"stretched":false,"withBackground":false}},{"type":"paragraph","data":{"text":"[dropdown]"}},{"type":"paragraph","data":{"text":"Sewing her memory | 2013"}},{"type":"paragraph","data":{"text":"In an old family film, I have always been struck by this woman who, among the people who ride in a boat, patiently sews on the unstable surface of a lake. The idea of editing this image for the Casa Museu de Benjamin Constant is a tribute to Constant’s wife, the first person responsible for the storage and cataloging&nbsp; of her prematurely deceased husband’s collection."}},{"type":"paragraph","data":{"text":"<b>•&nbsp;11” video loop, edition of 5 + 2 AP&nbsp;loop<br>•&nbsp;concept: Renato Bezerra de Mello<br>•&nbsp;editing: Daniel Bardusco</b>"}},{"type":"paragraph","data":{"text":"[enddropdown]"}}],"version":"2.18.0"}